I took this using the Landscape setting with a polarizer. I like the many variations of green, yellow, brown and of course the couds are really fluffy.
Thursday, June 10, 2010
Aaron Managhan Value, Movement, Balance Flash
There's a range of shots in this set...some from our field trip and some from a recent college-hosted golf tournament at Olympia Golf & Country Club.
This is the one I chose for value. This is shot at Sylvester Park during our field trip. I was initially trying to capture the shadow under the leaf to show its form (which was my focus that day). But when I got back, I realized how many different greens were contained in this one shot, from areas where the sun nearly washes it white, to the darkest shades under the shadow of the leaf itself. This was shot at F/14, 1/125 and ISO 100. I believe I had my white balance on cloudy.
This is the first cart starting the line at the Clipper Scramble golf tournament. I had some solid movement shots of the ball streaking off the blurred club too, but nothing that was as well balanced an overall photo as this one while still showing that motion. Also, I felt like there was implied movement here as well based on where you see the cart hurrying to get to and the fact that the carts line up and move you through the picture. Double whammy so to speak. This was shot at F/9, 1/20 of a sec. and ISO 200; White balance on cloudy. No tripod :)
This one I chose from flash. It's the scholarship recipients of the OG&CC on hand at the tournament. While not a particularly striking or great photo, this was the best shot I had specifically trying to balance the oversaturation of light outside the building (it's literally on the water) with my flash as well. I felt like I was able to get this one darkened down to minimize the window washout, hit the flash strong enough to light the room but not strong enough to notice (at least too overtly). This was shot at F/5.6, 1/200 and ISO 400.
I'm just throwing in this last one cause it was my favorite from our field trip. Again, I was focused on form.
This one is of the statue across the street from the park in front of the state building. It was shot at F/16, 1/60 of a sec and ISO 100. I really liked how the shadows fell across his hands to really show the form rather than the shape. It was exactly this kind of thing I've had a hard time training myself to see in the past, so I was happy that I not only "saw" this shot in my head, but was able to make it come out the way I wanted in the photo too.
This is the one I chose for value. This is shot at Sylvester Park during our field trip. I was initially trying to capture the shadow under the leaf to show its form (which was my focus that day). But when I got back, I realized how many different greens were contained in this one shot, from areas where the sun nearly washes it white, to the darkest shades under the shadow of the leaf itself. This was shot at F/14, 1/125 and ISO 100. I believe I had my white balance on cloudy.
This is the first cart starting the line at the Clipper Scramble golf tournament. I had some solid movement shots of the ball streaking off the blurred club too, but nothing that was as well balanced an overall photo as this one while still showing that motion. Also, I felt like there was implied movement here as well based on where you see the cart hurrying to get to and the fact that the carts line up and move you through the picture. Double whammy so to speak. This was shot at F/9, 1/20 of a sec. and ISO 200; White balance on cloudy. No tripod :)
This one I chose from flash. It's the scholarship recipients of the OG&CC on hand at the tournament. While not a particularly striking or great photo, this was the best shot I had specifically trying to balance the oversaturation of light outside the building (it's literally on the water) with my flash as well. I felt like I was able to get this one darkened down to minimize the window washout, hit the flash strong enough to light the room but not strong enough to notice (at least too overtly). This was shot at F/5.6, 1/200 and ISO 400.
I'm just throwing in this last one cause it was my favorite from our field trip. Again, I was focused on form.
This one is of the statue across the street from the park in front of the state building. It was shot at F/16, 1/60 of a sec and ISO 100. I really liked how the shadows fell across his hands to really show the form rather than the shape. It was exactly this kind of thing I've had a hard time training myself to see in the past, so I was happy that I not only "saw" this shot in my head, but was able to make it come out the way I wanted in the photo too.
Drew - Movement/Flash/Value
Firstly, I learned that chickens are not easy to photography. I knew this from prior experience, but I thought I could handle it better than last time. Aside from trying to get the chickens to run around in front of me, I had the trouble of the chickens being too blurry when I would take the pictures. I got a couple "decent" shots, but I will have to try it again for better results. I shot this one at f/14.0, 1/8, iso 100, cloudy setting for white balance.
I shot this image in my room. I was trying to evenly light up the face part of the mask as well as the stuff at the top. I used my built-in flash and dialed it down to -2. I shot this at f/10, 1/125, iso 200.
I'm not sure how to deal with items that reflect light (the bells in this case) with a flash. I would think it would just be easier to use some lighting and a tripod and get more dramatic results.
I shot this image downtown when we were on our field trip. I was shooting texture, so I was initially drawn to the texture of the plaster or cement (whatever it is). Later on, I found the value to be more interesting than the texture...
I took this shot at f/5.6, 1/640, iso 200 with the sunny setting for white balance.
Bob - Line & Personality
When our assignement was narrowed and we were directed to focus only on one item, in my case the personality of the line, I found this to be difficult and a real challenge.
I wanted to take numerous photos of items the caught my eye and attention.
My attention was drawn to part of the statue in the center of the park. I first noticed the line was part of a larger object and structure, it contributed to its function and personality. Further observation revealed the line had strength, shape and an item unto its self.
Since there are outside elements that can influence our preceptions they can also influence the personality of the line. In this case the light from the sun and the projection of a shadow - the representation of the line (its personality?)
This can be weak, strong having varing shapes and at times disappear - All being controlled from an outside influence - the sun and clouds!
Bob - Tree of the Bog
The Shorepine struggles to absorb the few nutrients and minerals available in the bog - causing stunted and malformed limb growth....
F 5.6 1/40 ISO 100
Bob - Lines and Repetition with a little color
Bob - Surprised Results
Took several shots of the "man in black" to give my great grandson.
To my surprise looking at this shot on the computer, the movement of the bow was captured.
F8 1/60 ISO 100
To my surprise looking at this shot on the computer, the movement of the bow was captured.
F8 1/60 ISO 100
Movement - Amy
Shutter 1/40, f/5. ISO 1600.
Took this in the evening when it started to get dark. Wanted a faster shutter speed though there wasn't enough light. It ended up looking cool to see the movement though.
Took this in the evening when it started to get dark. Wanted a faster shutter speed though there wasn't enough light. It ended up looking cool to see the movement though.
Wednesday, June 9, 2010
Diana Value B & W
Diana- Value
Diana Movement
Diana Flash
Laurie - balanced flash
Shutter priority, ss 1/100, f/3.5, fl 18mm, ISO 800, flash compensation -2.
This picture was taken outdoors at about 9 p.m., and I think the lighting looks almost exactly the way it was. I do wish the kids were a bit more in focus. Perhaps a faster ss, lower ISO and bumping up the flash would have helped with that?
Laurie - Value
Aperture Priority, ss 1/320, f/10, fl 230mm, ISO 400.
The farmer's market, where else?! Who knew there could be so much going on with a bunch of monochromatic onions? I love the lines of the roots, I also like that the individual form of each onion is captured. I wish I had shot this with a tripod and had more of the shot in focus.
Laurie - Movement
Shutter Priority, ss 1/200, f/5.6, fl 70mm, ISO 200, .6 ND filter
After leaving you all at the park, I spent the late afternoon up at the bike races and got this shot of David. I had been playing with my filters all day, and had the .6 ND on for this shot. I was also panning on a tripod. Yes, Barbra, I am a believer now! Even though everything else is blurred, I like how sharp David is - I can even see muscle definition in his legs.
Jessica Simon - "Flash"
Jessica Simon - "Movement"
Jessica Simon - "Value"
Claire - Value
Movement -Linda
Two movement pictures instead of a portrait. Both taken mid afternoon. I hung out at the fountain with my tripod at the ready and had permission from the dad to take this guy jumping while a car passed beyond him. I used the polarizer or the ND filter. This is cropped so the boy is closer thus breaking the vertical rule of thirds but still catching his reflection in the pool. Metadata: 1/10, f 22, ISO 100, WB auto, 105mm, Manual.
I took several pinwheel pictures while the wind was pretty intermittent. I think this one gives a hint of the pinwheel and shows good movement. In some the object disappeared I didn't notice the reflection in the ball until I got the picture on the screen. Metadata: 1/10, f22, ISO 100, WB auto, 92 mm, Manual
I took several pinwheel pictures while the wind was pretty intermittent. I think this one gives a hint of the pinwheel and shows good movement. In some the object disappeared I didn't notice the reflection in the ball until I got the picture on the screen. Metadata: 1/10, f22, ISO 100, WB auto, 92 mm, Manual
Claire - Value & Flash
Claire - Movement
Value -Linda
Metadata: 1/20, F 7.1, ISO 100, WB daylight, 70mm, Manual.
The light falling on the far posts give them more definition and strength than those in shade on the near side. But, more detail can be seen on the near side. I took several shots and decided on the one with the best histogram and the bush and rock on the right. I considered cropping a bit on the left but in the end decided to leave it alone. I liked the way the posts lead the eye to the lushness beyond. You can see where the shadow of the bridge ends by looking in the water. I think it is distracting but balanced by the neat reflections and rippling water.
The light falling on the far posts give them more definition and strength than those in shade on the near side. But, more detail can be seen on the near side. I took several shots and decided on the one with the best histogram and the bush and rock on the right. I considered cropping a bit on the left but in the end decided to leave it alone. I liked the way the posts lead the eye to the lushness beyond. You can see where the shadow of the bridge ends by looking in the water. I think it is distracting but balanced by the neat reflections and rippling water.
Heather - balanced light
Heather - value
shutter 1/100, f/4.0, iso 200, flash -2, auto white balance. I liked the shapes of the flower pots and the different colors and the repeating patterns. I took this picture a few times with different settings and tried it with and without flash. I ended up liking this one the best. I thought that it showed value in the flower pots and the bench and didn't look as flat as some of the other images.
Heather - motion
Shutter speed 1/60, f/7.1, ISO 400, auto white balance, partial metering. I took this picture of my friends little girls. I had a lot of fun playing with the shutter speed and making them more of a blur. The little girls thought that it was great, especially when they got to look at the pictures and see what was happening.
Mike
MOVEMENT
Manual Mode, Custom Set White Balance, Shutter 1/160, f/5.0, 5EV, ISO 6400
Picture taken at 8:55 p.m. Tried increasing light with slow shutter speed but movement of kitty to fast causing her to blur. I learned I didn't need to set shutter speed less then 1/60 to get movement. To get movement is dependent upon relationship of how fast the subject is moving.verse shutter speed. I had to max out the EV and ISO to show light.
Tuesday, June 8, 2010
Zane - Flash
28 mm, 1/25s, f/5.6, ISO 400, -2 flash. My dog Toby VI. Conditions were early evening, grey skies, and very difficult to keep pooch still. He has catch lights! - Yahoo!
Zane - Motion
71.5mm, 1/25s, f/10.0, ISO 200. I like the full motion of the batter's body with the stillness of his left leg and the first baseman behind him. This was taken with a long lens in the evening under grey skies - not exactly favorable conditions. The blue color seems to anchor the motion around the image.
Sunday, June 6, 2010
Zane - Value
Metadata: 1/160s, F/4.5, ISO 800 -2 flash. These architectural shapes are turned upside down to have the illusion of being lighted from below by footlights. In fact, these were photographed in gray and misty conditions with lots of diffused white light. I used the flash to catch more contrast than was there - to light the edges of the roundness. The histogram is mostly grey, even though this is a color photo.
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